Tuesday, December 18, 2012

A Christmas Bonus!


Forgive me for boasting, but wheeee!!!! Stories for Seven Year Olds is in the top ten at Random this week. Of course, it's all down to me. Nothing to do with Jennings, Harvey or Gleitzman.....


This Week's Top 10 Bestsellers

Childrens Top 10

Brotherband 3: The Hunters, John Flanagan4
Stories For Eight Year Olds, Linsay Knight0
Stories For Seven Year Olds, Linsay Knight0
Australia’s Greatest Inventions and Innovations, Christopher Cheng, Linsay Knight and The Powerhouse Museum0
Stories For Six Year Olds, Linsay Knight0
Alice-Miranda At School, Jacqueline Harvey9
Where The Wild Things Are, Maurice Sendak1
Wolf Springs Chronicles: Hot Blooded: Book 2, Nancy Holder and Debbie Viguie0
A Pet Isn't Just for Christmas, Various0
Pearlie and the Flamenco Fairy, Wendy Harmer5
© Nielsen BookScan


Monday, December 3, 2012

How Did The Crow's Feathers Turn Black?

I'm happy to announce that my short story, How the Crow's Feathers Turned Black, was published today as part of a Random House Australia anthology, Stories for Seven Year Olds!

http://www.randomhouse.com.au/books/linsay-knight/stories-for-seven-year-olds-9781742756622.aspx

Monday, October 29, 2012

Only two days until NaNoWriMo!

Yes, it's only a couple of days now until the big writing event happens! Between now and then, several of us will be dressing up and running around like idiots. My choice is red devil horns, cape and trident. It's Halloween!

How are you getting ready for NaNoWriMo? I'm enjoying the chance to actually nut out the story before I begin typing. A nice chance from the rollercoaster that has been The Ferryman Chronicles.

More NaNoWriMo updates soon from the DarkLight Collection Agency!

JB xxx

Sunday, October 21, 2012

Defending the 'derivative'


I once read a short review of Mammon where the reviewer said that she found the book ‘derivative’. This was on Goodreads; it was not a formal review in a journal or newspaper. I assumed this woman was in her thirties. Of course, I was bothered by that because as an English teacher, I have access to a book room full of the most original books ever written, and I felt that I had a standard to maintain.

Not so. Not in the way you might think.

I’ve been teaching English for ten years. During this time, I have watched my students suffer while reading books that many adults deemed appropriate (and indeed, these books were award winners). The clue to their boredom, for those who might not have been paying attention, was the raucous applause they gave as we reached the last page. One would assume it was something to do with the narrative that displeased them. Slow pacing is the most common complaint, but I have to wonder if it had something to do with shared understandings and the assumptions that adults make about teenage readers.

Over the past ten years, I have had many kids ask me to explain common words, sayings, ideas and understandings that are presented via the written word: language that we as adults take for granted that other adults will understand. 

Guess what? Kids don’t. They don’t know the old fables, fairytales, songs and poems that were part of our mainstream culture when we were growing up. They don’t know about political, social and historical contexts that are touched upon in books. Okay, some teachers will say, ‘It’s your responsibility to fill in those gaps.’ That is quite right. However, when a teenager is reading a YA novel outside of the classroom, there may not be a suitable adult nearby to explain said concepts. So, this is where a novel’s derivative nature can be of benefit.

As YA authors, we are responsible for passing down stories and ideas to the next generation. This is particularly important for a generation that has become detached from many of the old stories, and the aforementioned ideas, sayings, etc.

Therefore, it is okay to be derivative! I challenge the reviewers who dismiss YA novels as such. Mammon is not the first to be labelled as derivative, but I am pleased that it is!

We should also remember that a good YA novel will encourage reluctant readers to pick up a book again. By filling in gaps, derivative novels can re-engage those who feel intimidated by the so-called more ‘challenging’ YA texts.

I am passing down story structures and ideas to the next generation. Archetypal characters and storylines are part of the practice of passing stories on to a new breed of readers, many of who have never heard of the old tales, fables, sayings and myths.

Wednesday, October 17, 2012

NanoWrimo and the terror of the first draft



Okay, so NanoWrimo is coming and I'm hoping to churn out a 50,000 word draft for my next novel during November. Previously, this would have freaked me out, but now I feel that this is attainable. I managed to nail down the first draft of Rise of the Shadow Wolf in 10 months. 

You're probably thinking: that's a lot longer than four weeks!

True, but it's a heck of a lot shorter than the three years it took me to write Mammon.

The thing is, I've learned that if you self-flagellate over every word, you will never get anything written. It's best to just vomit up what you have to say on to the page. That's right, vomit. Just chuck it up because otherwise, it will remain a bilious lump in your gut - or worse, stuck in your throat - and fester there until you go mad. Of course, what you see on the page may well be crap. But we can work with crap. We can't work with a blank page. So my advice to all the would-be NanoWrimo authors out there is: just get the story down on the page and worry afterwards about fine-tuning the structure and language. The feeling of accomplishment at getting a first draft done is MAGIC! 

Good luck! I'll report back during November with regular NanoWrimo updates! 

JB xxx

Monday, October 15, 2012

Dredd is coming!

Not long now until the 3D release of Dredd. I love Karl Urban anyway, and the preview looks...very Dredd.


Tuesday, September 25, 2012

Interview with acclaimed fantasy author, Marianne DePierres!


 JB: Marianne, how does it make you feel to be a popular, successful author?

MDP: I acknowledge my achievements (e.g. 15 books published etc, some awards received) but I don’t consider myself either of those things, and really, those kinds of tags can make you a little bit crazy. I write what I want, help the people I can along the way, and let the rest take care of itself.

JB: Considering the present state of technology, what do you think the future of storytelling will be?

MDP: I honestly don’t know exactly where it will go other than to say ‘electronic’ will rule eventually. After that … who knows?? I do believe, however, that the art of storytelling will never disappear. The human race needs it to make sense of their existence. Without stories we would devolve.

JB: The Burn Bright book is very original. Do you feel pressure to create in-vogue storylines that fit in with popular culture?

MDP: Thank you. And absolutely not. This was a story that took seven years to write. I didn’t even know if it was YA until I finished the first draft. The story came to me and I went with it. Never had a second thought for what was around in the marketplace. 

JB: So, in your creative process, do you prefer to use word processors or write by hand?

MDP: I loathe handwriting. My fine motor coordination isn’t great and I have a very awkward pen grip. I don’t think I would ever have finished a novel if WP’s hadn’t been invented!

JB: I know just what you mean! So, how have you found working with a publishing house? In general, do you think that publishers help writers to evolve?

MDP: I'd dread NOT working with a good publisher - the collaborate effort that goes into making your books better is quite remarkable. Good publishers rock.



Thank you, Marianne, for joining me at Dark Ink for the first of my Author Interviews! 

Monday, September 24, 2012

NANOWRIMO is coming!

Nanowrimo offers writers a challenge: to write a 50,000 word novel in the month of November. Whoa! That's huge. But I am going to take it on.

I'm writing a new novel, called DarkLight. It's an urban fantasy set in a modern world where demons and angels work together, hunting down members of their own kind who have gone astray.

My goal is to finish the first draft (or, at least 50,000 of the planned 70,000 words) by the end of November.

I'm running NANOWRIMO with my Year 10 and 11 Writers' group as well, and hopefully we'll be able to publish their work online. What a thrill!

Wednesday, September 12, 2012

US Blog Post!




To celebrate Mammon's November paperback release in the US, I was invited to contribute a post on banned books to the website of E. Kristin Anderson, author and poet who runs The Hate-Mongering Tart. Every year, Anderson joins in the celebrations for Banned Books Week. It was awesome to write about such a rebellious topic!

Read my post on Banned Books at the Hate-Mongering Tart HERE

Tuesday, July 10, 2012

Sharing what I learned at the CYA Conference 2012

It's incredible really, how much I learned in such a short space of time. We flew in to Brisbane on Friday night, negotiated the roads with the phone's navigator on the blink (4G, my backside!) and attended the conference on Saturday before flying out again at 5.30pm.

In the morning, we listened to Isobelle Carmody speak for a short time about sensory writing before doing what all good teachers should: involving her students in hands-on writing activities. She passed around some mysterious bags of scented goodies and we wrote down the descriptive words that came to mind. We also had to jump out of our comfort zones and feel each other's faces, describing the contours, textures, etc. It turned out I was paired up with Isobelle's daughter, who was lovely.

With another YA author, Kaz Delaney, we explored the social media world (oh my freakin' God, there are so many sites out there that I didn't know about!) and how an author should be a brand, or a product - more so than her books. So, JB Thomas is a brand!

Paul Griffin, a YA author based in the US, (who writes incredible realistic fiction targeted towards at-risk youth) spoke about the importance of distribution. The question was: where does your book fit in? Schools? Libraries? Commercial fiction shelves of bookstores?

This was just in the morning - so much good stuff crammed in before we had our paper bag lunches (nice) and the afternoon's sessions, which were just as interesting.

I would strongly recommend that new authors attend these conferences. They're a great way to keep learning.

- JB xxx


Friday, June 29, 2012

I'm looking forward to attending the CYA Conference in Brisbane, Australia next weekend!
The conference website is http://web.me.com/qmsa/CYA/index.html.

Wednesday, June 27, 2012

Supanova Perth, June 23rd 2012

I had a great time at Supanova Perth. On Saturday, I hung out with the gals at the Random House stand, and on Sunday, the lovely Sandra Wigzell invited me to the Dymocks stand, where I was in the company of some very famous, talented authors! Pictured left to right: me, Duncan Lay, Juliet Marillier, Bevan McGuiness, Marianne DePierres, Matthew Reilly and Christopher Paolini. What a buzz!

Friday, April 6, 2012

A Night With Our Stars

On Thursday 8th March, I had a great time at A Night With Our Stars, an event organized by the Children's Book Council of Australia (CBCA). I met some nice authors and the audience was super friendly. The food wasn't bad, either!